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This series of experimental drawings was created under timed and physical constraints, such as 1-minute sketches and using the non-dominant hand. The aim was to explore spontaneity, looseness, and the expressive potential of mark-making. These limitations pushed creative boundaries and encouraged a focus on gesture, form, and intuition rather than detail or perfection.

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This image was created in a darkroom using the photogram technique, where physical objects such as leaves, flowers, and branches were placed directly onto light-sensitive photographic paper. The paper was then exposed to light, resulting in a high-contrast black-and-white image that captures the outlines and textures of the objects. The white areas represent the places where light was blocked, while the darker tones were exposed. This experimental process allows for abstract and organic compositions without the use of a camera. It explores the relationship between light, shadow, and material form, producing a visually striking and tactile result.

This piece blends photography with bold graphic elements to create a high-impact, fashion-inspired visual. A base image was used and enhanced using the Brush Tool in Adobe Photoshop to add expressive marks and textures. Large-scale typography was layered on top of the image, creating a bold and urban “gang-style” aesthetic. 

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